My artistic practice focuses on
drawing and printmaking. I build up the
print in layers, sometimes using collagraphs and stencils.
My work is process led; I am often
pleasantly surprised with the marks I have made. I prefer it this way because I am referencing
our connection with the natural world, which, as we know is never consistent or
rigid.
I started drawing flowers a few years
back. I found a collection of pressed flowers at my old home, that my mother
had made. I made a few monoprints referencing
this collection and from there I started thinking about real, live flowers. Now
I am excited about the allotment that I have recently acquired. It’s full of
apple trees, it’s full of dappled light in the sunshine. Hopefully, it’s full of potential! I want my
art to be joyful, which is how I feel when I go there. I hope people feel the
same way when they look at my work.
At the heart of this, there is also the worry that this will not always be here, because of the lack of awareness of how we relate to the land. I wonder if people realise that if we had no worms or no bees, then we wouldn’t have food. Without plants, we wouldn’t survive.
As I say… onwards and upwards.
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